Pinkie (I, II, III, studies), 2020 - 2025

Pinkie is a series inspired by two images: one, a 1990’s photograph of a young Black woman in a pink prom dress; the second, a painted portrait of a girl from the British Regency period. Through her ruched application of silicone and collagen, Smith conjures the connection between the young woman in the photograph and Thomas Lawrence's Pinkie (1794). Lawrence’s painting is one of the best-known portraits in the Huntington Library, a museum the artist visited often as a child with her mother.

The particular protrusions, excisions, and scars embedded within the work suggest an alternative understanding of “prettily pink”; finding terror in the romantic and grotesque in conventional beauty. Pinkie wants to get under our skin. Its sagging, fleshy materiality ultimately pushes the viewer toward a visceral sensory experience, one that coalesces two young women–one white, one black, both in some ways unnamed–into a form beyond recognition.